Many of the landscapes I am familiar with alienate me in their perfection - nature in these images is mollified, pristine, encompassing, perspicuous.
Nature for me is messy, turbulent, extinct, violent and entropied. In which case, its turbulence and violence will eventually condition our view of it. We can no longer see straight ahead, no open roads, no clear skies, but troubled shorelines and trespassed borders.
The works recreate that turbulent outlook through a process of intentional errors. Mimicking the antiquated stereoscope, two views of a distant horizon were made, one slightly angled from the other.
I asked the computer to repeatedly correct one side based on the other, akin to asking the computer to recreate the stereoscopic 3-D illusion on a 2-D surface. In other words, to see exactly as our eyes, natural stereoscopes that they are, see. Because this is technologically impossible, errors appear, errors which I think are beautiful, and I subsequently exacerbate.
